Naz­lo Records is a cur­rent­ly nomadic DIY micro-label orig­i­nal­ly com­ing from Rus­sia oper­at­ing since 2013—2014, being ini­tial­ly an art project of an indef­i­nite group of artists and explor­ing all types of weird sound in all forms and employ­ing a vari­ety of media for­mats like tapes, lathe cut records, reel-to-reel tapes, micro­cas­settes, flop­py discs, etc., as well as anti-releas­es and exper­i­ment­ing in dif­fer­ent ways with the visu­al com­po­nent of music and its per­cep­tion, and exist­ing for over a decade as a form of label-like enti­ty clos­er to a sound-art / media-art project. For the last sev­er­al years, it was pri­mar­i­ly focused on releas­ing new works of a cer­tain com­mu­ni­ty close to the label in this or that way, hav­ing over two hun­dred releas­es in its discog­ra­phy and an expe­ri­ence of col­lab­o­rat­ing with such artists (among many oth­ers) as Semi­lancea­ta, The Haters, Sshe Reti­na Stim­u­lants, Dave Phillips, Dugh­pa, Wag­n­er Ödegård, Papa Sra­pa, Wouter Van Veld­hoven, Sin­dre Bjer­ga, Rachel Bonch-Brue­vich, Veprisui­ci­da, Anla Cour­tis, Tor­tur­ing Nurse, fake_trailers, Жарок, Mår­ble, Uské Orches­tra, .nyc­talops., Vom­ir, etc…